Now that I have a better idea which parts of the Edna will help me harvest successful rust prints, I feel brave enough to experiment with some samples of tapa (barkcloth). They are left-overs from previous projects. White cloth from Paper Mulberry bark (Broussonetia papyrifera, locally called aute) is precious for me, because it has been extinct on Atiu and I have only just recently planted three seedlings which I got from Rarotonga. They are not yet tall enough to use. My sample pieces have been produced in Samoa and Tonga.
One is a leftover from my Third Space installation. Parts of it are filled with machine-sewn lace.
A long white strip seems ideal to wind around my rusty rod.
When I return the next day, I’m rewarded with lovely orange stains.
Even the Polyester thread in the lace has taken on colour.
The first two tapa strips seen in the image on top were used in a previous eco-dye experiment. They clearly show the resist marks and brown dye. I’ve been wondering what will happen to those pre-dyed strips which have not been rinsed after dyeing. Will they still contain the dye’s magic? Will the tannin in the eucalyptus dye react with the rust? My guess is that this should produce black stains. After I have taken off my nicely rusted white tapa strip, I apply the two dyed pieces to my rusty rod. Now I will have to be patient for a day or so…